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Lightning in a bottle

Lightning in a bottle typography
Severe weather inspires Stephen Neslage ’05 to revolutionize breaking news coverage
Charlotte Tuggle
As Superstorm Sandy tore up the East Coast in 2012, thousands of photos and videos of the hurricane flooded social media. Stephen Neslage ’05, media studies alumnus and a senior coordinating producer at The Weather Channel, could only pull so many.
Full-body image of Stephen Neslage wearing a light blue shirt, blue pants, and a brown belt, with his hand in his pocket. He is smiling at the camera.
T

he news director asked, “Why am I looking at all of this phenomenal video on my computer, and I’m seeing none of it on our broadcast? What is the problem?”

The problem was that pulling user-generated content from the Internet is a lengthy, expensive process that takes time and attention. There was no technology to do it for you until Neslage teamed up with software engineer Charles McCrary to create FlipFlop Systems.
FlipFlop founders Stephen Neslage and Charles McCrary working booth at a trade show
Getting started: Neslage (left) and Charles McCrary attend a trade show in the early days of FlipFlop.
“That’s really where the idea for this company was born. Charles said, ‘You know what? I think I can actually fix that,’” Neslage said. “Everybody knew it was a problem, but it’s very expensive and time-consuming for any company to build a software system that will solve that problem. It took a leap of faith for our team to say, ‘We can do it. We’re going to leave our jobs, we’re going to build it, and then we’re going to put it to market and sell it as a product.’”

Usually, a news producer scans social media for compelling content. When they find a video they want to use, they ask the owner for permission and send the link to their video acquisition team. First, it sits in a queue for download, then it goes to a media manager to log the metadata, runs through the editing process, goes back to a producer for approval, then airs on the show.

A comparison diagram showing two workflows: a "Traditional Workflow" at the top and a "FlipFlop Workflow" at the bottom. The traditional workflow is more complex, involving several steps such as new content, email/work order, video acquisition, transcoding clips, inputting metadata, adding courtesy, and finally going on air. In contrast, the FlipFlop workflow simplifies the process, showing only new content being processed by FlipFlop and going directly on air.
With FlipFlop, a producer drops the video link into the system, and the software handles everything while the producer gets permission.

“The old way of moving video through a newsroom could take five people half an hour. Our system does it with one person in 90 seconds,” Neslage said. “You can extrapolate the cost savings, the speed to air and the resources it saves. It’s just becoming more and more important as unfortunately news organizations are shrinking and they’re relying more on that external content in their production.”

Everyone on the FlipFlop team comes from a journalism background, where leveraging social media and user-generated content becomes increasingly common as information flows freely and newsroom budgets shrink.
FlipFlop automates many of the tasks producers have to do manually to get social media content on air, which saves newsrooms time and money while making sure their broadcast is up to date.

“We’ve seen reporters in the field during hurricane coverage scan their phones in the commercial breaks and find a social media clip they want to use on air,” Neslage said. “Oftentimes that link can go from the reporter into the newsroom and be ready for broadcast by the time they come back on air. So less than three minutes.”

FlipFlop also eliminates format issues, reduces wait times and organizes content including video, photo, audio, document and live stream content for broadcast and online.

A content flow diagram showing various content sources (AP News Gathering, Social Media platforms like X, YouTube, Facebook, and Field Crews) feeding into FlipFlop, which then distributes content to either a television or a computer screen. The diagram emphasizes flexibility with formats, resolutions, and metadata, highlighted by the text "Any Format, Any Resolution, Any Metadata" on the left, and "Your Format, Your Resolution, Your Metadata" on the right.
Neslage said artificial intelligence (AI) is also top of mind for reporters, so they’ve leveraged machine learning to counteract fake news or AI-generated content. The software scans for patterns in AI-generated content, then filters it for the producer.

“We built a layer into our system that uses AI and machine learning to actually combat itself. Our AI is searching for AI. We scan video content to see if anything’s been manipulated or created by AI,” Neslage said. “We’re using it to help our clients identify the fake news, the fake interviews, the fake video, before it gets into their system, and then hopefully keeps it off of their broadcasts.”

Today, most newsrooms using FlipFlop see a 300% increase in content within a few months of starting the service. It’s being used in 77 different countries and will soon be delivered in different languages to benefit non-English-speaking newsrooms.

Neslage has come a long way since the high school student who didn’t know he could make video work a career. At Auburn, Neslage said his experience in courses like media law, extracurriculars like Eagle Eye and stepping in to operate an ESPN camera for the 2003 Auburn-Syracuse game, paved his way to first working in TV, then changing how it’s done.

Neslage participating in reporter training at Fort Benning
Neslage represents Eagle Eye during embedded reporter training with the 3rd Infantry, Ft. Benning, Georgia. (2003)
Neslage adjusting Eagle Eye station camera
Neslage, a former Eagle Eye station manager, adjusts a camera during a studio taping. (2003)
Neslage working behind the scenes while Jim Cantore is filmed for a 	Weather Channel special
Neslage (center) works with Meteorologist Jim Cantore on a Weather Channel network special. (2011)
“What you learn in the classroom is very important and it’s going to lay a really great foundation for the rest of your career, but you’ve got to get outside the classroom. Eagle Eye was phenomenal for me. It opened so many doors. I would not have been hired so quickly out of college had I not done that,” Neslage said. “Get hands-on experience in the real world and do the things that you want to do after graduation before you graduate. That’s really going to springboard you forward.”
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